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Further Reading Ernest C. Mossner, who edited several volumes of Hume’s correspondence, also wrote the best biography, The Life of David Hume (1954). John H. Burton, Life and Correspondence of David Hume (1846; repr. 1967), is still useful. Good studies of Hume include John A. Passmore, Hume’s Intentions (1952); Farhang Zabeeh, Hume, Precursor of Modern Empiricism (1960); and Charles W. Hendel, Studies in the Philosophy of David Hume (1963). Also useful are Alfred B. Glathe, Hume’s Theory of the Passions and of Morals (1950); and Antony Flew, Hume’s Philosophy of Belief (1961), a study of the first Enquiry.

From 1936 to 1937 Hundertwasser attended Montessori School in Vienna, a learning experience to which he would later credit the choice of color in his paintings. His formal art training included three months at the Academy of Fine Arts in Vienna in 1948 and a day at the Ecole des Beaux-Arts in Paris in 1950. As a mature artist he professed an intense dislike for all art theory, including color theory. H U N G HS I U- CH ’ U¨ A N Volume 8 Numerous exhibitions of Hundertwasser’s paintings have been mounted, including one-man shows at the Art Club, Vienna (1952); Studio Paul Facchetti, Paris (1954, 1960, 1965, and 1974); Tokyo Gallery (1961); Austrian Pavilion, Binnale, Venice (1962); Kestner-Gesellschaft, Hannover (1966); University of California, Berkeley (1968); Auckland City Art Gallery, New Zealand (1973); and a retrospective at the Haus der Kunst, Munich (1975).

And the speculative freedom of the imagination to conceive opposites without contradiction makes it impossible to demonstrate any matter of fact or existence. This argument leads to a distinction between relations of ideas (demonstrations which are true a priori) and matters of fact (the opposite of which is distinctly conceivable). And this distinction excludes from the domain of rational determination every factual event, future contingent proposition, and causal relation. For Hume, since truth is posterior to fact, the ideas of reason only express what the mind thinks about reality.

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